Download the Christmas Crossword here
Here’s your chance to win a Christmas gift and have lots of fun at the same time. Solve our Christmas MST Crossword and you could win a book from Currency Press.
It’s a cryptic crossword but our compiler Michael Richardson has mixed easy with hard clues as it’s always easier to solve a clue when you have a letter or two in the answer. Some of the clues have a Christmas theme while the others are theatre/arts related.
The deadline for completed crosswords is Monday January 4, 2021.
Print the crossword and when you’ve finished, either scan it and email it back to email@example.com
or mail it to
Support Marian Street Theatre, 19 Marian Street, Killara NSW 2071
Lords and Larrikins
This radical account reveals the central importance of the male performer in Australian public life, showing how the aspiring middle classes turned to actors to teach them public behaviour and political opinion, and how class divided high art and low comedy. While imperial Shakespeare drew in patrons, politicians and critics, vaudeville comedians upheld the right to a working-class Australia. When in 1970 public funding fuelled the rise of a high-art culture, a bevy of buffoons led a new assault to subvert it. Kath Leahy asks questions about why, even today, we still call for control of the public artist.
The Empire Actors
In the decades from Federation to the 1920s, live entertainment was an integral part of the Imperial world, and performers were the first generation of truly global marketeers. In epic tales of royal splendour and Napoleonic conquest, of heroic gladiators and Christian sacrifice, of musketeers and courtesans, hussars and doomed princesses, Arab houris and Oriental mandarins, international stage celebrities transported Australasian audiences into identification with the older, more powerful civilisations from which they had come.